And So Ends an Era
James Howard Kunstler

“The old politics of right versus left, and Republican opposed to Democrat have now given way to a new existential struggle: Americans must choose between civilization—or its destroyers.” –Victor Davis Hanson

Now that you, the lucky ones, are beyond your steaming platters of pancakes and mighty rashers of bacon, and perhaps even a dram or two of grog in your coffee. . . and clawed your way through the bales of presents. . . a merry Christmas to all. . . and here’s something else to think about this morning:

You may have noticed that our country, formerly a republic of sovereign individuals, has become one great big racketeering operation run by a mafia-like cabal with Marxist characteristics — or, at least, Marxist pretenses. That is, it seeks to profit by every avenue of dishonesty and coercion, under the guise of rescuing the “oppressed and marginalized” from their alleged tormenters. Apparently, half the country likes it that way.

Much of the on-the-ground action in this degenerate enterprise is produced by various hustles. A hustle is a particularly low-grade, insultingly obvious racket, such as Black Lives Matter, DEI (Diversity, Equity, and Inclusion), and “trans women” (i.e., men) in women’s sports. Some of the profit in any hustle is plain moneygrubbing, of course. But there’s also an emotional payoff.  Hustlers and racketeers are often sadists, so the gratification derived from snookering the credulous (feelings of power) gets amplified by the extra thrill of seeing the credulous suffer pain, humiliation, and personal ruin. (That’s what actual “oppressors” actually do.)

Categorically, anyone who operates a racket or a hustle is some sort of psychopath, a person with no moral or ethical guard-rails. Hustles are based on the belief that it is possible to get something for nothing, a notion at odds with everything known about the unforgiving laws of physics and also the principles of human relations in this universe. Even the unconditional love of a mother for her child is based on something: the amazing, generative act of creating new life, achieved through the travail of birth. Have you noticed, by the way, that the birth of human children is lately among the most denigrated acts on the American social landscape?

The flap over Harvard’s president, Claudine Gay, is an instructive case in the governing psychopathies of the day. I wish I’d been a roach on the tray of petit fours and biscotti brought into the Harvard Overseers’ board-room when they met to consider the blowback from Ms. Gay’s unfortunate remarks in Congress, followed by revelations of her career-long plagiarisms. The acrid odor of self-conscious corruption in the room must have overwhelmed even the bouquet of Tanzanian Peaberry coffee a’brew, and not a few of the board members must have reached for the sherry decanter as their shame mounted, and the ancient radiators hissed, and their lame rationalizations started bouncing off the wainscoted walls.

Apparently, Ms. Gay did not miss an opportunity to cut-and-paste somebody else’s compositions into everything she published going back to her own student years in the 1990s. She even poached another writer’s acknowledgment page. This is apart from the self-reinforcing substance of her published “research” justifying the necessity for DEI activism, for which she has become first an avatar and now a goat. The dirty secret of this perturbation — and the whole Harvard Board knows it — is that Claudine Gay’s career has been about nothing but careerism, and that this is also true of so many on the faculty and administration at Harvard, and surely at every other self-styled elite school from the Charles River to Palo Alto that had joined in the DEI mind-fuck.

It’s all one big status-acquisition hustle, the seeking of hierarchical privilege by any means necessary, including especially deceit, the politics of middle-school girls. Thus, you see on display both the juvenility of elite higher ed and its use of the worst impulses that prevail in social media, stoking envy, hatred, avarice and vengeance as the currency for career advancement. Claudine Gay was notorious earlier, as Dean of the Faculty of Arts and Sciences, for wrecking the careers of faculty members (Ronald Sullivan, Stephanie Robinson, and Roland G. Fryer, Jr.) who refused to play the game like middle-school girls. She had no mercy.

The mental pain endured by the Harvard bigwigs must be excruciating, and of course they have themselves to blame because they walked right into the Woke hustle with their eyes wide shut. They bargained away their dignity, and the university’s honor, for mere brownie points in a fool’s game called Win big prizes pretending to care about your fellow man. The cognitive dissonance must be like little nuclear reactor meltdowns burning through the lobes of their brains. They’ve run out of a safe space to play “victim” in. The world sees them for the coddled, malicious fakes they are.

Cutting Claudine Gay loose is the unavoidable play now or Harvard will be stung by so many lawsuits from students previously punished for academic mischief that all the alumni lawfare attorneys in the cosmos standing snout to tail will not be able to staunch the hemorrhaging of the school’s endowment and then the fire sale of its chattels to satisfy the aggrieved plaintiffs’ pain and suffering. The Harvard board is just trying to ride out the holidays. Their prized participation trophy is coming off the mantlepiece. There really is no other way. Now, stand by and watch the rats rat each other out. And so ends the era of pretending about everything.

 

 

James Howard Kunstler is the author of many books including (non-fiction) The Geography of Nowhere, The City in Mind: Notes on the Urban Condition, Home from Nowhere, The Long Emergency, and Too Much Magic: Wishful Thinking, Technology and the Fate of the Nation. His novels include World Made By Hand, The Witch of Hebron, Maggie Darling — A Modern Romance, The Halloween Ball, an Embarrassment of Riches, and many others. He has published three novellas with Water Street Press: Manhattan Gothic, A Christmas Orphan, and The Flight of Mehetabel.

 

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